
Photo: Paul Dennehy
Lecture/Demonstration
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Taal Tales* - This 45-minute
lecture/demonstration presents a history of classical South Indian
dance and performances of dance pieces celebrating various deities.
Students see analogies between art from India and America, understanding
parallels between art forms and cultures. They view posters of dance-related
art, hear about the history and cultural context of dance, learn
basic rhythms and hand gestures, and are asked to identify percussive
patterns and stories in the dance pieces. In this highly interactive
program, the participants are engaged by asking and answering questions
throughout the entire program. A small group is invited to get up
to learn some movement, and there is a Question & Answer period
at the end of the program.
Taal Tales is recommended for school or
library groups of 75 or fewer children (or up to 200 maximum).
The program material is modified depending on the age group.
Tara has given lecture/demonstrations throughout New England in
public and private schools, religious schools and schools for students
with special needs.
*Block booking at discounted rates now
available .
Rhythm & Ritual is recommended for
university students, cultural organizations or women's groups of
150 or fewer adults.

Tara (top right) with her workshop students and Director
Patricia Romano (center) at the Natyalaya Escola da Danca,
Sao Paolo, Brazil
Workshop -
Classical Indian Dance Workshop: 60-90 minute
session (in a school, cultural organization or studio) in which
a group of students receives an introduction to practicing the dance
form. After doing some warm-up exercises and stretches, they learn
some of the basic movements (rhythmic stamping and footwork, hand
gestures, eye and neck movement, and a taste of choreography). The
workshop ends with a warm-down. Recommended for groups of 30 or
less.
Workshop for Middle
Eastern/Belly Dancers:
90-120 minute session
in which students learn specific elements of classical Indian dance
which can serve as training or inspiration for Middle Eastern dance
choreography: Rhythmic improvisation, body postures, walks, arm
movements and hand gestures.
*Taal: the rhythmic cycle in Indian music
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